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Summer Camp, by Heather Meek

Canada's current Big Shots in the international art world, Janet Cardiff and George Bures Miller, have brought credit, fame and funding to the previously "suspect" genre of sound art. Why? Because they're so dang good. An exhibit of "Recent Works" is running at the illustrious Whitechapel Gallery in London, June 7 to August 24, 2003.
- by Max Liboiron -

Canadian radio is like loveless sex. It's predictable, unimaginative and over in five minutes. With the exception of campus and community stations, we don't expect Canadian contemporary radio to broadcast sound art. It just doesn't fit into the rigidly formatted program schedule of the CBC, and it certainly isn't safe enough for commercial radio.
- by Janna Graham -

Hundreds of "Green Zone" protesters arrested during WTO ministerial in MontrealFrom July 28th to 30th, finance ministers from 25 countries and the European Union, gathered in Montreal for a 'mini-ministerial' of the World Trade Organization (WTO). Despite the declaration of Canada's Trade Minister, Pierre Pettigrew, that "the anti-globalization" movement had "completely disappeared," thousands gathered in Montreal to express their opposition to the WTO. A day later, it seemed that Pierre Pettigrew had been right; hundreds of activists had indeed 'disappeared' from the city's streets. Over the course of two days, police arrested 342 people, many through what NDP leader Jack Layton called "indiscriminate" mass arrests.
- by Hillary Lindsay -

An interview with Larry Gordon, Executive Director of Fair Vote Canada

Fair Vote Canada (FVC) was formed in August of 2000 as a multi-partisan citizen's campaign to reform Canada's voting system. FVC promotes the adoption of a system that is proportional, uses positive, effective votes, and results in a stable and accountable government. The organization does not recommend a specific type of proportional representation, but calls for a public process which will allow Canadians to learn about voting system alternatives and choose a new one.
- by Susan Thompson -