Generally I am not a person who plans elaborate activities of merriment on calendar holidays. But, once and a while, an opportunity to celebrate gives me that tingling feeling and I am compelled to go out and join the party. It was that kind of crazed motivation that got me out of bed at 3:15 a.m. on July 1 to watch A Midsummer Night's Dream on the wharf of Casino Nova Scotia in Halifax.
The play began well, as the actors exuded the energy befitting the first performance of a season. Their antics and melodrama were appreciated with enthusiastic smiles and laughs from the audience. Occasionally, the faint clinking of slot machines (from inside the casino) could be heard over the lines delivered on stage. The players freely adjusted their lines, as well as their costumes and props, for humorous effect.
After a wholly entertaining first act, the length and difficulty of the play began to show, as the actors increasingly needed assistance to remember their lines (it was a one time "unrehearsed" performance). Former New Democratic Party leader Alexa McDonough held the script and assumed the role of prompter. As the play drew to a close, the timing and energy lagged. The humour culminated in a slap-sticky ending which involved the exposure of much nubile young skin, some radical cross dressing, and men impersonating squeaky female character-types. The play A Midsummer Night's Dream is itself an absurd story of hopelessly frustrated lovers, the vehicle for much biting satire and sexual innuendo. The performance was long -- about three hours long, actually. But, at 7 a.m. on Canada-Day morning, no one had anywhere else to go anyway. The giddiness brought on by the early hour seemed to allow for this long and mischievous ending.
So why did a sold out crowd come to a casino at 4 a.m. on a cold July night to watch actors proclaim sixteenth-century English? It is truly baffling behaviour. In the spirit of recent television entertainment, I would have to qualify this particular experience as "extreme" Shakespeare. The perilous trials observed by all involved in order to organize this event constitute another testament to the enduring appeal of the bard. In the morning, at night, before dinner, in the fog: any time is a good time for Shakespeare. Even when performed ad-hoc to a sleep-deprived crowd, the wisdom, humour and irrepressible spirit of what it is to be human reliably shines through. No one can capture the ironies, foibles and superficialities of love and loss like this playwright.
Shakespeare by the Sea continues performances through July and August in Point Pleasant Park, Halifax, Nova Scotia. For more information call (902) 422-0295 or check out the web site at www.shakespearebythesea.ca.
The Dominion is a monthly paper published by an incipient network of independent journalists in Canada. It aims to provide accurate, critical coverage that is accountable to its readers and the subjects it tackles. Taking its name from Canada's official status as both a colony and a colonial force, the Dominion examines politics, culture and daily life with a view to understanding the exercise of power.